To analyze the first half of the novella, in particular the use of "romance" conventions
Please note, pages need to be updated for the eighth edition.
We will be discussing the novella
over three classes, and so for this first class I'd like to focus our discussion on
the first sections, roughly pages 2183-2204. We will consider the narrator's introduction
of Oroonoko, his character and his love affair with Imoinda in Coramantien, and his
betrayal into slavery, the middle passage and his arrival in Surinam.
Because we will be focusing on the character of Oroonoko, I'd like to center our discussion
on questions of heroism. Consider your reading of the heroic poem
Paradise Lost to frame your understanding of
the heroic. Also, draw on the brief excerpt on heroic writing (2129-2131) by Dryden to
understand Behn's technique in constructing her character as a hero.
Reading Notes and Discussion Questions:
Based on your reading of Dryden's excerpt (pp. 2129-2131) and your understanding of heroic literature from
class, what are the aspects of heroic literature that Behn incorporates in her story? In what ways does
she characterize Oroonoko as a hero? Initially, reserve your comments for her introduction of Oroonoko and
the first half of the story that takes place in Coramantien.
Why do you think the heroic mode was so popular in the period following the Restoration?
How is Behn's hero unique? (Pay particular attention to her description of Oroonoko pp. 2186-7.)
How do we appreciate and understand the heroic today? (We will return to this question when we discuss the second
half of the novel as well.)
The narrator: describe the narrative voice. How does the
narrator approach her story? What is her purpose in telling
the story? What means does she have to establish its truth?
Why is this important?
What is significant about the narrator's description of
the native Indians? How do the white colonists feel toward
them? Why do they treat these people in a way different
from their treatment of Africans?
The plot of the story falls into halves. The first part
takes place in Coramantien and is characterized by romance conventions.
We might understand these to be: distant, exotic or foreign
environment and practices, heroes of extreme valor and sensitivity,
heroines of extraordinary virtue and beauty, rhetoric of
exaggeration, artificiality and formality. How are these
characteristics of the first half of the novel? Note in particular
the description of the Otan, the characters and their behaviors. Note
also the role of war and warriors.
Describe the characters of Oroonoko and Immoinda.
How or why do they fall in love? (See pp. 2188, 2191-2197.)
How does the narrator describe
What is the primary conflict that drives the first half of
the plot? How is political authority represented? Who has
the right to rule? What might be the symbolic or political
significance of the old, impotent king? In what ways is Oroonoko
better suited to rule/ to love?
What is Oroonoko's response to the "death" of Immoinda? How does he recover?
What happens when the English ship comes to port (see pp. 2200-2202)?
What role does slavery play in the African
kingdoms? What role does Oroonoko play in the slave trade?
How does the narrative represent
this aspect of his behavior?
When the captain tricks Oroonoko into bondage, the narrator plays on notions of bravery: "Some
have commended this act as brave in the captain; but I will spare my sense of it, and
leave it to my reader to judge as he pleases" (2201). What does this mean? Why does she write it?
What is the significance of Oroonoko's swearing on his honor (page 2202)? How does this compare to swearing on
one's God? Whose vow turns out to be more meaningful? Why?
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