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BERNARD
SHAW: A BRIEF BIOGRAPHY
Provided by
Denis Johnston of The Shaw Festival Theatre
George Bernard
Shaw (1856-1950)
An
acclaimed playwright, critic, and social reformer, George Bernard Shaw (but he
hated being called George) was born in 1856 into a family he described as of
shabby genteel lineage. He grew up a Protestant in the predominantly Catholic
city of Dublin, the capital of Ireland.
Although he quit school at age 14 and was always critical of formal education,
Shaw gave himself a rigorous informal education, frequenting the National
Gallery of Dublin and reading voraciously. Through his mother's work as a music
teacher and vocalist, he also developed a keen interest in classical music that
would assist him in his early career as a music critic.
At age 20,
Shaw followed his mother to London
to embark on a literary career. He struggled through the late 1870s and much of
the 1880s trying to establish a name for himself by writing reviews and
criticism for numerous publications: book reviews for The Pall Mall Gazette,
art criticism for The World, music criticism for The Star and The World, and
drama criticism for Saturday Review. During these years he also wrote five
highly original novels that no one would publish until friends serialized them
in magazines, started on his first play, and made public speeches on various
topics of political and social controversy. Influenced by socialist lectures
and by reading Marx's Das Kapital, Shaw
joined the fledgling Fabian Society in 1884. The Fabian Society was an
influential group dedicated to establishing a socialist democracy in Britain. Shaw
quickly became a major spokesperson for the Fabians and their ideas. Among his
associates in the Society were the artist William Morris, author H.G. Wells,
feminist Annie Besant, and economic reformers Sidney
and Beatrice Webb.
Shaw's first play, Widowers' Houses, was produced in
1892 by J.T. Grein's Independent Theatre, a company
founded to produce new plays by new modern playwrights. Widowers' Houses was
this company's second production, following the English premiere of Ibsen's
Ghosts the year before.
Like many
of his peers, Shaw was greatly impressed with Ibsen's new drama of social
realism. In 1891 he wrote an essay on the subject entitled The Quintessence of Ibsenism. Shaw despised the sentimental romance being
presented to London
audiences in contemporary plays. He advocated instead that greater attention be
paid to Ibsen and his innovations. Shaw valued the way the stage could become a
platform for the communication of ideas: through his own plays he sought to
confront audiences with issues of social and political importance. He aimed to
stimulate not only the hearts, but also the minds of London's theatre-goers. One of the major
innovations of Shavian drama was the unusually large role he gave to thought
and debate - but thought enlivened with a love of wordplay and paradox.
Although
initially considered subversive because of the subjects he chose to portray, by
the turn of the century Shaw had secured his reputation as a major playwright.
His plays were produced on both sides of the Atlantic,
and his scripts were published and distributed widely. The young actor-manager
Harley Granville Barker helped to advance Shaw's popularity with three landmark
seasons (1904-7) at the Royal Court Theatre
in London. Of
the thousand performances presented under the Barker-Vedrenne
management, over 700 were of eleven plays by Shaw. Barker himself created a
number of memorable Shavian roles, including John Tanner in Man and Superman, Adolphus Cusins in Major Barbara,
and Louis Dubedat in The Doctor's Dilemma At the Court, Barker also directed the first popular
production of You Never Can Tell, the success of which was partly due to his
own performance as Valentine.
After the
advent of talking films in the 1920s, Shaw's scripts began to find a place in
the burgeoning film industry. Although a fan of movies since the early days of
silent films, Shaw refused to sell the screen rights to his scripts unless he
could retain some control over the final product. In the 1930s and 1940s he
adapted several of his plays for film, including How He Lied to Her Husband
(1931), Arms and The Man (1932), Pygmalion (1938), Major Barbara (1941), and
Caesar and Cleopatra (1945).
Shaw was
awarded the Nobel Prize for Literature for 1925 and donated the prize money to
the founding of the Anglo-Swedish Literary Foundation. In the 1930s he travelled around the world with his wife, Charlotte Payne-Townshend, an Irish heiress whom he had married in 1898. He
continued to write plays and essays on religion and socialism until his death
in 1950.